Technical Workflows for Audiovisual Producers
This course proposes a practical tour of the technical framework that accompanies all audiovisual production, from the initial pre-production phase to the final deliveries for the different exhibition formats. The training seeks to offer producers and support teams a clear and accessible understanding of the technical processes, in order to enrich communication with specialized departments and promote greater integration in all stages of the project.
October 28 to 31, 2025
PRESENTIAL
Monday to Friday
4:00 p.m. to 8:00 p.m.
20 hours
4h / Day
Working days
HEADQUARTERS
OUTLABS
Calle Salamanca 16, 38006
Santa Cruz de Tenerife
Program
From script to screen: keys to the technical workflow.
The role of the post-production coordinator/supervisor.
The DIT in pre-production, filming and post-production.
The camera and its technical conditions.
Management and security of the digital material shot.
The editing rooms: flexibility and new work dynamics.
VFX: the visible and the invisible in the narrative audiovisual.
Virtual scenarios, artificial intelligence and emerging challenges.
The digital laboratory: precision and control in post-production.
Deliveries and final formats: their importance from the initial planning.
Questions and debate: analysis of practical cases from the participants.
Objectives
Acquire an overview of the main technical processes and their interdependence.
Optimize communication between production and technical teams.
Better understand the costs and complexity of the different phases of the workflow.
Facilitate production decision-making based on technical alternatives and their implications.
Intended for
Mainly producers and professionals from different departments who wish to expand their technical knowledge and strengthen communication with other areas of the audiovisual project and have a global view to carry out their work more efficiently.
Prices
€150
Teachers
Iñigo Iglesias Iñigo Iglesias ↗
PHOTOGRAPHY DIRECTOR AND DIGITAL IMAGE TECHNICIAN
He studied photography direction in 2000-2001 at Séptima Ars in Madrid.
He started working as an electrician, and then moved to the camera department, holding all the positions, and learning from the base in cinema and advertising.
In the last 12 years he has combined national and international series, both from DIT, as well as some of them as director of photography, specializing in productions shot in LED Volumes (Virtual Production)
Vis a Vis
Sky Rojo
La Casa de Papel
Vampire Academy
Berlin
Who is Eric Carter
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