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OUTLABS / TRAINING

Advanced Digital Cinema Course

Digital Image Technician (DIT) 2.0 + Workflow of film projects for feature films, series and advertising. Colour theory and advanced calibration

This training action, lasting 15 days with 4-hour days, designed by Outlabs Training, aims to provide professionals in the audiovisual sector with the necessary skills to function with ease in a professional film and advertising workflow in post-production coordination, photography direction, DIT or data management and production roles.

Those in charge of teaching the course were:

Sergio De Uña Jaime, professor at the Center for Advanced Technologies of the Government of Aragon (CTA) since its inauguration, DOP for almost two decades, with several nominations for the Goya awards and a precursor of HD systems, digital cinematography, 4K and 8K.

His work stands out in Planeta 5000, La Llegenda de l'innombrable, Barça dreams or La Noche.

Ibon Esparza, DIT and workflow supervisor, lover of photography, cinema and specialist who has been linked to the national and international sector for more than 15 years.

Among his works, Terminator: Dark Destiny, Lost, La Trinchera Infinita, Valeria or 30 Coins, among others, stand out.

Jose María Espino, DIT and data manager, trained as a technical photographer and audiovisual producer to delve into the seventh art and seek new challenges that will transform and evolve the way you ride.

Within the large number of projects, the following can be highlighted: Operación Camarón, Adiós, Velvet, Abajo, Señor Dame Paciencia and El Cid, among many others.

General registration has a one-time cost of 250 euros. Members of the Tenerife Film Commission and unemployed have a 50% discount (paying only €125) and members of the Canary Islands Audiovisual Cluster have a discounted registration fee of €200. 20:00

October 4 to 16, 2021

PRESENTIAL

Monday to Friday weekdays 4:00 p.m. to 8:00 p.m.

except Saturday 16 10:00 to 14:00

10 Days

4h / Day

HEADQUARTERS

Tenerife Sports Pavilion Santiago Martín Ideco, S.A

Contents

- Practical theory of digital cinema cameras - Characteristic, origin, evolution and classification - Camera menu - Departments in cinema and advertising - Testing, practice and shooting of digital cinema cameras - Workflows - Ingestion of files with filmed material - HDR and ACES - Post-production - Workflow management for platforms (Netflix, HBO, Amazon and Disney +) - Monitoring, Colour Theory and Advanced Calibration

Students

- Aimed at film professionals, in the camera department - Students with a view to working in the camera department in the future - Professionals in the sector who want to expand technical knowledge - Post-production specialists who want to know about advanced workflows

Teachers

Sergio de Uña Sergio de Uña

PHOTOGRAPHY DIRECTOR

DOP since 2005, with more than 1000 pieces operated of different types: feature films, short films, advertising, industrial, documentary, music video, video art, social, TV reports, promotional, image bank, stereoscopy, etc. and committed to the latest technology, being a precursor of HD systems, digital cinematography, 4K and 8K.

Director of the company Film, SDU S.L.

Heroes. Silence and Rock & Roll

Origins

Planet 5000

The Legend of the Unnamed

Barça Dreams

The Night

Uruguay

Ibon Esparza Ibon Esparza

DIGITAL IMAGE TECHNICIAN AND WORKFLOW SUPERVISOR

Lover of photography, cinema, Restless, creative and somewhat nervous. Graduate in communication, specialized in digital cinema. He has more than 15 years of experience in the sector

Terminator: Dark Fate

All for the Game

Lost

The Infinite Trench

Full Train

Valeria

Polyamory for Beginners

30 Coins

The Voice Humana

Jose María Espino Jose María Espino

DIGITAL IMAGE TECHNICIAN AND DATA MANAGER

Trained as a technical photographer and producer of audiovisual shows, in 2013 he began to dedicate himself professionally to the audiovisual sector. Combining work and study to years later have an opportunity as a video assistant in his first national production.

Focused on innovation and continuous development, he enjoys helping and being part of new challenges that transform and evolve the ways of filming.

Operation Shrimp

Goodbye

Velvet

El Cid

Lord Give Me Patience

Once upon a time, but not anymore

Down There

I'm Alive

Design and Produce:

Promote:

Collaborate:

YOUR TEAM IN THE CANARY ISLANDS

Your next shot
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